The times of straining every nerve and bidding the grandeur to fly are over for the prime Bonang Matheba, Boity Thulo or ó the sharp Victoria Kimani. This baptism in urbanity water? —choose. Bonang Matheba's accordion pleated dress was quaintly pretty, wasn't it?. It was a grand ascension in refinement of a detail. The incessant supply of softer, more flexible fashion was manifested by Boity Thulo's appliqué dress. Victoria Kimani's dark aesthetic swiftly took our spirits to the soft gothic days and we obeyed. Please attentively appreciate their majestic air!. Seal.
Bonang Matheba.
Bonang's dress was ornamented with a sweeping area of folded stripes. It's a testament of the statement "as pleats evolved, greater sophistication in design emerged". The dense trimmed pleats in Bonang Matheba's garment were intricate cascading patterns. The triangular silhouette was the grace for a contemporary woman like Bonang Matheba. The maxi dress was low-rise with a seeming polished surface decoration. It was sleeveless. It was a high décolletage. Bonang Matheba elevated her style with functional decorative accessories.
Boity Thulo.
Boity Thulo wore a low-rise dress in the richness of cherry red. The bodice was high-necked which accentuated her burst. The garment was more geometric in structure with ornamental gathered ruffle trimmed. The hem was purely decorated. The sleeves were more voluminous in shape. Finally, the choices of her accessories complemented it.
Victoria Kimani.
Victoria Kimani's outlandish dark fashion featured a dark bodysuit, a dark trench coat, dark gloves and dark boots.