Kira wore a dress Andrey had never seen before—curiously old-fashioned and maddeningly becoming. The gown was of some shimmering dusky rose fabric—high in the neck and falling loosely below her full breasts—to cloak her swelling middle. A black velvet ribbon with a scrimshaw brooch—circled her throat. Bathed in candlelight and framed by the frost-clad windows—Kira looked as beautiful as a goddess in a film.
Film costume highlights a gale of character's personality, status, power, emotional resonance, narrative and a feel of awe. Romantic film costume is centered towards garnishing a character—whether it is by form of flower print or eye-catching pattern.
Costume fashion creates an atmosphere for the film's gleam and aesthetic. Film is an old and reputable source for showcasing fantasy flourish fashions and affecting fashion itself in a remarkable way.
Chain stores were launched to glorify and sell film-inspired fashions dominated in Hollywood from the 1920s. They targeted consumers as Hollywood film lovers. There existed scenes in films like The Women (1939) that clearly gaiety fashion. Gem and glamourous designs of fashions that were showcased in films offered an opportunity for viewers to be captivated and dream about flamboyance designs.
The practicality of costume designers was to create the stars' looks that raise eyebrows. The elegant American actress—Joan Crawford (1906—1977) favored genius silhouette that featured big-shouldered suits and her golden costume designer was Adrian.
Costume designers also created a goodwill relationship with big productions for an engineered work that will wildly captivate the audience. For instance—Givenchy's costumes for Audrey Hepburn.
There is a fine line between fashion and film. Fashion world offers hortative to the film world. The mutual contributions are invaluable. Long and leather coats were showcased in the Matrix (1999) —while Cheongsams were showcased in In The Mood for Love (2000). Film enthusiasts discover and learn new styles around them through high-powered fashion films.
Film costumes are handy in the world of fashion. They imbue the strength that fashion has to offer. How to style futuristic garments for film's characters highlights their innovative power. Film is an herald for the next fashion trend.
An Italian costume designer—Milena Canonero (1946—) designed for Marie Antoinette (2006). Her costume revolutionized finest details like soft pastels and rococo frills.
Likewise—film stars like Zendaya (1996—) are honeybun to the world of fashion. They pose for advertising campaigns, for red carpet or Première wearing colorful and gorgeous silhouettes.